Author: cSMNT98ibj

A federal judge on Wednesday pressed an attorney for the Environmental Protection Agency about whether the agency broke the law when it swiftly terminated $20 billion worth of grants awarded to nonprofits for a green bank by allegedly bulldozing past proper rules and raising flimsy accusations of waste and fraud. In a nearly three-hour hearing, U.S. District Judge Tanya Chutkan said the government had provided no substantial new evidence of wrongdoing by the nonprofits and considered technical arguments that could decide whether she is even the right person to hear the case. Climate United Fund and other groups had sued the EPA, its Administrator Lee Zeldin and Citibank, which held the grant money, saying they had illegally denied the groups access to funds awarded last year to help finance clean energy and climate-friendly projects. They want Chutkan to give them access to those funds again, saying the freeze had paralyzed their work and jeopardized their basic operations. “What plaintiffs are saying is if you wanted to stop that money from going out, you should have gone through the procedures under the” law, Chutkan said, adding that instead of doing that, the EPA appears to have demanded the bank simply freeze the funds and then quickly terminated the grants. The Greenhouse Gas Reduction Fund, commonly referred to as a “green bank,” was authorized by the 2022 Inflation Reduction Act. However, its goals run counter to the Trump administration’s opposition to climate-friendly policies and its embrace of fossil fuels. Zeldin quickly made the bank a target, characterizing the grants as a “gold bar” scheme marred by conflicts of interest and potential fraud. “Twenty billion of your tax dollars were parked at an outside financial institution, in a deliberate effort to limit government oversight — doling out your money through just eight pass-through, politically connected, unqualified and in some cases brand-new” nonprofit institutions, Zeldin said in a previously posted video. The nonprofits say Zeldin and the EPA led

In an unexpected upset, the Jason Statham thriller “A Working Man” took No. 1 at the box office, besting the rapidly declining “Snow White,” according to studio estimates Sunday. Even after a lackluster debut, the Walt Disney Co.’s live-action remake was predicted to remain the top film in U.S. and Canadian theaters over the weekend. Instead, “Snow White,” plagued by bad buzz and backlash, nosedived in its second weekend and dropped 66%. At the same time, Amazon MGM Studios’ “A Working Man,” directed by David Ayer, beat expectations with a $15.2 million debut. Co-written by Sylvester Stallone, “A Working Man” reteams Statham and Ayer following last year’s successful “The Beekeeper” ($162 million worldwide). This time around, Statham plays a construction worker with an elite military past. While reviews have been mixed and audiences only gave “A Working Man” a “B” CinemaScore, showing Statham has carved out something rare in the movie industry today: bankability. “A Working Man” opened similarly to “The Beekeeper,” which launched with $16.5 million. The bigger headline, though, might have been the fast erosion of ticket buyers’ appetite for “Snow White.” The film, directed by Marc Webb and starring Rachel Zegler, had been hoped to lift movie theaters after a painful start to 2025. Produced for more $250 million, the film has turned into a poisoned apple, with a two-week global haul of $143.1 million. Next weekend, Warner Bros.’ “A Minecraft Movie,” is expected to win the weekend and will, like “Snow White,” target family audiences. A trio of newcomers – A24’s “Death of a Unicorn,” Universal and Blumhouse’s “The Woman in the Yard,” and the Fathom’s “Chosen: The Last Supper” – also opened over the weekend, though none made a big impact. “The Chosen: The Last Supper,” fared the best, with $11.5 million in 2,235 theaters. The Christian TV series, now in its fifth season, has regularly driven ticket sales before streaming. More episodes will roll out in theaters through April.

The top vaccine official with the Food and Drug Administration has resigned and criticized the nation’s top health official for allowing “misinformation and lies” to guide his thinking behind the safety of vaccinations. Dr. Peter Marks sent a letter to Acting FDA Commissioner Sara Brenner on Friday saying that he would resign and retire by April 5 as director of the Center for Biologics Evaluation and Research. In his letter, which was obtained by The Associated Press, Marks said he was “willing to work” to address the concerns expressed by Robert F. Kennedy Jr. about the safety of vaccinations. But he concluded that wasn’t possible. “It has become clear that truth and transparency are not desired by the Secretary, but rather he wishes subservient confirmation of his misinformation and lies,” he wrote. The U.S. Department of Health and Human Services did not respond to a request for comment. Marks was offered the choice of resigning or being fired by Kennedy, according to a former FDA official familiar with the discussions, who spoke on condition of anonymity because he didn’t have permission to discuss the matter publicly. Kennedy has a long history of spreading anti-vaccine misinformation, although during his Senate confirmation hearings he seemed to say he would not undermine vaccines. He promised the chair of the Senate health committee that he would not change existing vaccine recommendations. Since becoming secretary, Kennedy has vowed to scrutinize the safety of childhood vaccinations, despite decades of evidence they are safe and have saved millions of lives. Marks oversaw the agency’s rapid review and approval of COVID-19 vaccines and treatments during the pandemic. Marks is credited with coining the name and concept for “Operation Warp Speed,” the effort under President Tweety McTreason to rapidly manufacture vaccines while they were still being tested for safety and efficacy. The initiative cut years off the normal development process. Despite the project’s success, Trump repeatedly lashed out at the FDA for not approving

President Tweety McTreason’s FCC commissioner said Friday he’s opening an investigation into the Walt Disney Co. and its ABC television network to see whether they are “promoting invidious forms of DEI discrimination.” FCC Commissioner Brendan Carr announced the probe in a letter to Disney CEO Robert Iger on Friday. The company said it was reviewing the letter and looking forward to answering the commission’s questions. The new administration has taken an aggressive posture toward the media on several fronts. Just this week, there were court hearings on the shutdown of Voice of America and the president’s dispute with The Associated Press over how the news agency refers to the Gulf of Mexico, which Trump has ordered renamed the Gulf of America. Carr has pushed the Federal Communications Commission into an activist role since Trump appointed him as its leader. For example, the FCC currently has open investigations into ABC, CBS and NBC News. “For decades, Disney focused on churning out box office and programming successes,” Carr wrote to Iger. “But then something changed. Disney has now become embroiled in rounds of controversy surrounding its DEI policies.” He said that while he has seen reports that Disney has rolled back some of its practices, “significant concerns remain.” Last month, Axios reported that Disney had made some policy changes, including eliminating a website designed to highlight personalities and stories from underrepresented communities. Disney also softened messages that appeared before showings of movies like “Dumbo” and “Peter Pan,” Axios said. Instead of warnings that the films include “negative depictions and/or mistreatment of peoples or culture,” the messages changed to “this program is presented as originally created and may contain stereotypes or negative depictions.” Carr’s letter linked to an article by conservative activist Christopher Rufo describing Disney as “the wokest place on Earth.” Some examples Carr cited go back several years, such as a one-time policy at Disney-owned ABC that at least 50 percent of characters in TV pilots